1. The illustrations in the 2008 recolored version of The
Killing Joke are extremely detailed and expressive. A mostly cool color palette creates an
eerie, shadowy tone and it causes warm colors, like the yellow of Barbara's
shirt and the red of the blood, to pop dramatically. The flashbacks are illustrated in black and white, with one item
in each sequence colored red. The black
and white flashbacks, which offer one explanation of Joker's psychosis, make
the transition to his discoloration (coloration in the comic) especially
striking. The original 1988 version is
ultra colorful and feels psychedelic and trippy. Each coloration sets a completely different tone even though the
illustrations and words are almost completely the same in both versions.
2. Batman and Joker originated in comic books, so a graphic
novel is the most legitimate form a Joker origin story could take. In comic form, the reader is free to stay on
the page as long as necessary to pick up on the details and really absorb the
creepiness of the story. Scenes like
the carnival owner murder, Barbara's shooting, the Joker's accident, and the
end of the duel with Batman require still frames for the total dramatic
impact. Joker's demented expressions
and the flashback transitions would not narrate effectively in a traditional
novel, and a film would bring too much focus to the gore as opposed to the
psychological intricacies.
3. The only words in this graphic novel are presented in
dialogue. There is no outside narration
to transition between the flashback scenes, but the difference in the styles of
illustration render further clarification unnecessary. The perspectives of every character are
present in the comic, and the honest expression of thoughts and feelings
through dialogue and illustration are most effectual without extra
narration. Also, the lack of guiding
narration leaves the reader to put the pieces together and attempt to
understand the Joker's madness on his/her own.
It can be suggested that the Joker is the narrator as the flashbacks are
from his memory, and the first words of the story are his joke at the end of
the comic. The story certainly feels
like it is guided by Joker, but he's an unreliable narrator if there ever was
one.
4. The entire graphic novel is important to the history of
Batman and Joker because of the rare revealing of Joker's origin, but the very
last scene of The Killing Joke depicts a specific, significant
interaction between Batman and Joker.
After a particularly aggressive psychological and physical battle, it
seems that Batman has the upper-hand and could easily eliminate his nemesis. However, Batman suggests rehabilitation for
the Joker, who proceeds to tell him a joke regarding a lunatic asylum. The final joke gets Batman to laugh and
reach his hand to Joker, but the final frames make the conclusion
ambiguous. To reference the Grovel
review of Batman: The Killing Joke, "It's hard hitting enough, but
it's incapable of squeezing out of it's own shackels."
(<http://www.grovel.org.uk/batman-the-killing-joke/>) The lack of finality is disappointing to
some, but one could argue that having the ending open to interpretation is
favorable.
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