Choose ONE
of the following options to write a thoughtful, persuasive essay using several
of the books in class as well as other secondary research (handouts, articles,
books, websites, etc.). In this paper, your goal is to educate readers who have
not taken this class and/or do not regularly read comic books. With that in
mind, consider what they assume about the genre, and why they might not
appreciate the basic tenets of your argument. (OPTIONS ON BACK PAGE)
When
writing, be sure to quote and discuss the comics in question to help you
readers see the artwork and the ideas in the book. Don’t simply
summarize the story or vaguely reference each text. For example, if writing
about Mockingbird, I might write:
In Cain’s Mockingbird,
she explores the difficulty of a female superhero existing in a still-male
world of heroes and villains. In one pivotal scene, she is trying to save a
girl who is at the mercy of her own powers. While the SWAT team tries to talk
her down from a ledge, Mockingbird’s narration appears above the scene,
remarking, “How can we have a meaningful dialogue with adolescent girls when we
live in a culture that still can’t talk about tampons” (Cain). Her thoughts run
parallel to the images, which show the girl attacking an officer and sending
him plunging to his doom. Though Mockingbird ultimately saves him, we
understand that the entire scene is getting worse because no one at the
scene—all of them men—know how to talk to girls, which even the officer admits
on the very next page.
SOME
GENERAL ADVICE ON WRITING PAPERS:
*
Always introduce quotations or any work you plan to quote from. Explain who
wrote it and where it comes from, and after you quote it, cite the page number,
or the author, or the specific work/source. EX: In Eisner’s book, Comics and
Sequential Art, he writes...
* Don’t
write to me: write to someone who isn’t in this class who probably
doesn’t know much about comic books. Assume you have to explain a lot of this
to them—why it matters, what the major ideas are, and what works contribute to
the conversation. The more you assume, the less you’ll make a carefully
constructed, well-explained argument on your topic (since you’ll cut corners,
saying oh, you already know this, so I won’t explain this...)
* Think
about how one work responds to another one. Which works in class most
contribute to your conversation, and how might one ‘answer’ the other? Do they
agree? Disagree? How do we know they’re sharing the same conversation?
* Find
your secondary sources before writing so you can respond to them in your
paper. Imagine that you’re having a discussion with 4-5 friends on comic
books...you need to hear them all talking before you can sum up the
conversation to someone else. Hear what they all have to say, then explain who’s
making the best points, and how you respond to each one.
* Start
“in the middle” with information or ideas that most interest you about the
topic. Avoid a vague introduction that says “Since the beginning of time, man
has written comic books,” or “There are a lot of arguments about comic books,
and I have a lot of things to say about them.” Be specific and throw us
right into a specific passage, idea, or argument.
OPTIONS: CHOOSE ONE
Option 1,
The Ethics of Supermen: For this option, I want you to discuss how comics
explore the moral convictions and ambiguities of the superhero. It’s no longer
enough to have a hero battle it out with his or her villains; modern-day
readers want to explore the man or woman behind the mask, and understand what
motivates someone to use their powers to save the world—and the consequences of
such salvation. Are heroes always heroic? Or does becoming a superhero
necessitate ‘villainous’ actions for the greater good? Consider, too, how
superheroes are an evolution from the heroic ideal of ages past. How has our
world/time reshaped them in our image? And what does it even mean to be
a super human? Is the emphasis on the “super” or the “human”?
Option 2,
Who Wears the Mask?: For this option, I want you to discuss the growing
struggle of gender and ethnic diversity in superhero comics. As a traditionally
male-dominated form, how have comics since the 1960’s been attempting to make
superheroes reflect the social reality of 21st century America? Related to
this, why might comics be the ideal medium for showcasing such diversity—even
more than more traditional forms of literature and art? You might also discuss
the obstacles that still face this branch of literature, and why (or when) even
well-meaning attempts fall short of inclusion. Does representation always have
to be literal—or can metaphors be just as (or even more) important? Have we
“won the war,” as Mockingbird jokingly suggests, or “does it still suck”?
Option 3,
Comics in the Classroom: For this option, I want you to discuss how superhero
comics could be effectively used in the classroom at any level (your choice).
What, specifically, is the advantage to using (a) the medium of comics as a
reading tool, and (b) exploring the abilities and conflicts of superheroes? How
can superhero comics work in tandem with more traditional forms of literature?
Shhttps://www.blogger.com/nullould they merely be
looked at as “bridges” to take students to more important/challenging forms of
reading? Or can they be seen as engaging works in their own right, which pick
up where older works left off? How could you convince a skeptical
administration (and doubting parents) that comics are a (largely) untapped
intellectual resource for students?
Option 4,
A Topic Suggested By You—But You MUST Discuss It With Me First! :)
REQUIREMENTS
At least
5-6 pages, double spaced, but you can do more
You should
use at least 2-3 comics in your discussion
You should
use at least 2 secondary sources (handouts, articles, books, etc.)
All
quotations and sources should be cited properly, using MLA format, or another
standard format of your choice (APA, etc.).
DUE NO
LATER THAN FRIDAY, DECEMBER 29th by 5pm (via e-mail): you can e-mail it to
jgrasso91@gmail.com if you're worried about ECU blocking your e-mail.
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