1.
The illustrations in this work are a unique
blend of realism and cartoonism. The detail throughout the work is very good,
it makes you think about the time and care put into every image in this book.
The overall feel of the art is dark, very dark. Most of the work is colored in
blacks, reds, browns, and yellows. This gives an almost hellish feel to the
story which really accents the goal of the work. If this were illustrated in a
different way I don’t think it would have worked as well as it does..
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This story was written as a graphic novel mostly
because it would make reading this story more enjoyable to a wider audience.
This work wouldn’t really loose anything being translated to a novel, simply
because it was a novel in the first place. Because of the realism in the art
there wouldn’t be the major loss, the loss of fantasy, that is usually found
when a graphic novel is made into a movie.
There are several scenes that fully utilize the juxtaposition of words
and images, but none that couldn’t be turned into a novel or film.
3.
The narration is done by an omniscient, outside
source, there is no explanation of who the narrator is, but you can assume they
are a key person or were privy to the entire ordeal. This graphic novel seems
to fall into line like a good little soldier with its narration. It follows
along with the typical third person perspective.
4.
A scene that really jumps to the forefront of my
mind is the scene in chapter 3 where the huge stalemate happens. First this
mentally challenged boy who works as a waiter in the bar they are in gets
tripped and spills “camel piss” on Roy Depape’s boots, then Depape orders the
boy to lick the liquid off his boots at gunpoint. Bert, walks into the bar, and tells Depape
that “I simply can’t let that happen. Nope. I would if I could, but I can’t.”
then he goes on about unsanitary conditions. Depape warns Bert that he has one
chance to leave the bar and go home saying “this is no place for a boy.” Bert draws
and fires a slingshot with steel bearings at Depape, catching him in the
knuckle, forcing him to drop his weapon.
Bert now has a disarmed Depape at shotpoint, but he now has Clay
Reynolds’s knife at his back. At this point Alain has Reynolds with a knife to
his throat. Now Jonas has Alain with a revolver pointed at the back of his
head. Then Roland has Jonas with a gun to the back of his head. All of this
happening within the space of a minute. This scene is full of suspense and
action, which really shows the feel of this work. The words and images really
pull together for a truly suspenseful moment in the story.
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