Paul Christy
Q1: How is the
novel illustrated? Be specific: would
you characterize it as sketchy, realistic, cartoony, artistic, ornate, spare,
expressionistic, tight, loose, etc.?
What is the overall feel of the artwork, and what kind of tone does it create
for the reader? Do you feel it is the
uniquely suited to the story being told?
Or is supposed to go against the grain of the story?
The
artwork in this comic book had a sketchy feel to it. The artwork is reminiscent
of newspaper comic strips at the beginning of the comic and changes to a style
used in modern comic books closer toward the end of the comic book. The comic
is a reminder of how the artistic style of comic books has changed over their
lifetime.
Q2: Why do you
think this story written as a graphic novel/comic book? What might this story lose if translated to a
novel, short story, or even a film? What
elements of the story almost require the juxtaposition of words and images? In
other words, what does the comic format allow us to see and experience that a
traditional novel wouldn’t? Again, be as
specific as possible.
This
story works as a comic book and a film adaptation, but it would fail as a novel.
The artwork seems to give a different vibe than what the story would suggest in
the early stages of the comic. Trying to develop this story into a novel would
only bring confusion into the mold as the artwork is what makes the story work
and without it the reader would be left in a state of confusion most likely.
Q3: How does this
comic discuss the ethics of being a superhero—someone who has powers and
abilities beyond that of normal men/women, and is thus able to influence the
world based on a hero’s specific notions of good and evil? According to this
comic, what does it mean to be a “hero” and a “villain”? Do the heroes ever
cross ethical boundaries in his/her quest to save humanity? Also, does a
superhero always play by the same rules, or does one’s age, sex, race, or
religion also play a role?
In
this comic, Bruce Wayne is much older and has to come out of retirement to save
Gotham as the Batman. The notion that he had in Batman: Year One about not
killing anyone are over and have been replaced by letting the villains die.
This Batman is very different from his younger days and it shows how he evolved
over time as a superhero. This Batman has learned with age that some people can’t
be saved.
Q4: Examine a single
passage in the novel, either a frame or a series of frames (but no more than
1-2 pages) that you feel is particularly significant to understanding the
book. Help us appreciate what this
passage helps you (and others) see and why. Choose the passage more for the
theme/characters than the technique (though you can mention how the technique
helps underline the larger thematic concerns).
Make sure we can not only see what’s going on here, but we see how it
relates to the story at large.
The
passage that I fell is significant to this comic is when Batman catches Harvey
Dent when he is falling from to his death. Harvey Dent asks Batman what he sees
and all Batman sees is a reflection. Bruce Wayne did all he could for Harvey, but
he couldn’t help him anymore. This is moment I feel like finally understands
that he can’t save Harvey Dent from his Two-Face personality.
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